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This one post

May 12, 2017

With this one blog post I want to mark the end of dithering about what and when to write. This kind of dithering is not a harmless kind, characteristic of a kindly parent who wants to get the balance right between libertarian and Victorian parenting, or a hurried pedestrian cautious not to get run over. This kind of dithering is the kind that lays waste to lives.

As if I hadn’t heard it enough times in enough ways already, that one must seize the day, that one cannot expect to write if one does not write, I have had an onslaught of pushes this year. I was shown a book by Stephen Pressfield, The War of Art, which is so good I had to slow down the reading of it to make it last. Every page of it is worth typing out in full for you here which isn’t a particularly sensible use of the blog. Pressfield says Resistance is king and we are the subversives, he says that we can and will never defeat it, so to think that we are wise to wait until we have done so before we embark on the activities that lead us to our goals is only the contorted success of Resistance.

Last night I was fortunate enough to see Kate Tempest with Orchestrate at the Brighton Dome, because a friend was clever enough to know when the tickets went on sale and to get them. Although a friend encouraged me to see her when she played at the Cowley club, I only finally did last year at the All Saints Church in Hove. That venue made the performance more fully what is: divine. Last night was equal in power, fury, love and the divine. She is not only a poet, composer and artist but an impassioned human soul firing on all cylinders. Inspiring is the word, but naturally no one word will do Tempest justice.

In the past three weeks I have become keen to write, determined to write; I have planned to write, I have seen the blessings in the circumstances preventing me, and I have resolved again to write. Interweaving with this process I have known what to write, wavered, forgotten, remembered and doubted. I have started knowing something else to write, hesitated, diminished and given up. I have not given up being determined to write on the day I had planned (today), but I have given up wanting to know what to write. Hence this post.

Tempest doesn’t inspire me to write, she supercharges my mind so I can see without doubt that it will continue to become ever harder to forget to see the world as a whole, to allow the consciousness of the ultimate bad to permeate all efforts to do and feel good as well as the moments where this level of life is effortless. She is alive and she wants to prevent forgetting.

Right this moment I couldn’t tell you why I want to write or what I want to write, and that kind of makes me want to cry; but only because it is without doubt a symptom not just of my own style of resistance and prevarication, but of the conditions which prevent me from having the right conditions to have done more, sooner, or to have felt more often that I am always already doing, and that at the same time I have done enough. I can be kind to myself, and I can celebrate my achievements. I also know that if I were not careful I might use these emotionally essential directives to become lazy and self-satisfied.

All our little memes are good for only one thing: whatever that is. To the arsehole we say: start being nice. To the doormat we say: start being mean. Be kind to yourself, be a hard master to yourself. Celebrate your achievements, never think you are done.

With this one post I am desperately conjuring a shift in my relationship to this little window. So far it has been no more than a page, a game, a room where I dance like no-one can see me, and then panic when I realise someone taped it. But I tricked myself into taping it. I can load it onto YouTube or Soundcloud and still I can be anonymous and secret. My 3 followers (you still rock) probably don’t live within a thousand miles of me.

With this one post I invite myself to stop being afraid that what I do write, when I have remembered what it is that I have to say, will lead to my alienation and ostracism, to my success or to my failure. It doesn’t matter. None of these things really matters.

Tempest showed us last night what I already learnt from Adorno: you have to know the worst. If he saw her with the orchestra I reckon he would cry twice. First because the orchestra is pared down and modern looking and he would think we had gone to the dogs, and then again because its sounds would grab his heart and rip it out and shake it until he understood what we are all feeling today. There is nothing worse than what people had to feel in Adorno’s lifetime, and nothing is worse than what we feel now about the worst. But usually there is room for hope. When there isn’t, this in itself drives us to build new rooms. If Tempest and Adorno don’t endorse hope for its own sake, they still give it to me. They give me hope that I can externalise feelings we all suffer with in the way that they do, because that is a human capacity.

What I hope for myself is that what I have spent so much energy analysing is worth analysing, and that by writing what I think, I can take part in our collective thought as well as our feelings. With this one post I state my intention: the world will not be the same place as it would have been if I did not write.

 

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